interconnected webs
I am amused by the contrasting scopes of science vs cultural myths and beliefs discussed here by Wade Davis
a journal about my garden and my life: thoughts on the chaos, the glory, the surprises, the disasters, and the joys of life and my garden
Labels: running
Labels: Toronto Islands
My wandering mind took me to this wonderful version of an old song that my Mom used to sing to me! In my head are the visuals of many paintings of a child, wandering a treacherous path through the wilderness, her hand in the hand of a benevolent angel.
Only, I often wondered, why didn't the angel just pick the child up? Some lesson there about self-actualization, probably unintended, because the legend is that the writer of the lyrics was dead drunk when he wrote the lines, having just been thrown in the drunk-tank by the police...
Take it for whatever you want, I love this version of a childhood favorite of mine!
Below is a more traditional version.
Maan korvessa kulkevi lapsosen tie
In the wilderness of earth goes a child's way
hänt' ihana enkeli kotiihin vie
A lovely angel takes her home
niin pitkä on matka ei kotia näy
The journey is so long, she can't see home
vaan ihana enkeli vieressä käy
But the lovely angel walks by her side
vaan ihana enkeli vieressä käy
But the lovely angel walks by her side
On pimeä korpi ja kivinen tie
It is dark wilderness and the way is rocky
Ja usein se käytävä liukaskin lie
And often this corridor may be also slippery
Oi pianhan se lapsonen langeta vois
Oh, soon could this child fall
Jos ei käsi enkelin kädessä ois
If she was not hand in hand with the angel
Jos ei käsi enkelin kädessä ois
If she was not hand in hand with the angel
Ja siltikin mustia verkkoja vaan
And still only black nets
On laajalle laskenut korpehen maan
Has widely fallen into the wilderness (of the land)
Niin pianhan niinkin tarttua vois
And soon could she stick to them
Jos ei käsi enkelin kädessä ois
If she was not hand in hand with the angel
Jos ei käsi enkelin kädessä ois
If she was not hand in hand with the angel
maan korvessa kulkevi lapsosen tie
In the wilderness of earth goes a child's way
hänt' ihana enkeli kotihin vie
A lovely angel takes her home
oi laps' ethän koskaan ottaakaan vois'
Oh child, you could not ever take
sä kättäsi enkelin kädestä pois
Your hand away from the angel's hand
sä kättäsi enkelin kädestä pois
Your hand away from the angel's hand
Composed by P.J. Hannikainen Lyrics by Immi Hellén
The second version, from a charity concert, reminds me of a conversation I had on Sunday morning with my running companions. It concerned the glimpses of a larger meaning that we sometimes are privileged to see in the mysterious turns that our lives can take.
As a health care worker, I often struggle with the strange notions people pick up from talking to neighbours and friends. But it seems most often that diseases, particularly cancer, are such taboo subject still, that it's amazing that any information of any kind is disseminated at all (no pun intended!!). Especially if that information concerns anything about the regions of the body below the waist!
So I found a great sense of beauty and symmetry in the story my friend told of how her father, a very athletic guy, faced a diagnosis of bowel cancer with great courage. As a result, his thirteen siblings were inspired to get checked out themselves, and in two of his sisters, polyps were found and removed. Medicine today has observed that polyps are often precursors to cancer. My friend's father believes he was meant to get cancer because he was "chosen" to save his sisters. Not that far-fetched.
It makes me wonder how often we are placed in a situation in which we can be "angels-unaware" to somebody in our lives. If we let go of the people in our lives, withdraw our hand, refuse to go through the trials that are before us, or refuse to allow people to share in our struggles, are we missing an opportunity to be something larger than our usual limited human selves?
Are you tired of this song yet?
Labels: angels
My Mom often used to laugh that Finnish music is always in a minor key. That is probably an over-generalization, especially if you consider more modern Finnish music. That is my problem as an ex-pat, (a confused one at that, whose parents were wandering the world when I was born, but always spoke Finnish to each other at home and had sometimes ambiguous memories of home) cut off from what is current in the "old country", developing a nostalgic gap as wide as the ocean that separates one from the "mother country"!
However, I rarely heard my Mom sing anything but the saddest melodies! One of my fondest memories is of my Mom working away in the kitchen, singing this song or another traditional one, often wavering off key. She usually managed just a line or two as she couldn't remember all the words, so her voice would fade in and out over the sounds and clatter of pots and pans, the hissing of the pressure cooker. Soon wonderful aromas filled the house.
This version, with the particular qualities of Anna Mutanen's voice, the slow, lingering tempo, reminds me most of my Mom.
In my mind, the dark side of the Finnish nature is what I understand and recognize in my musical roots.
I couldn't help but associate the longing notes of this song today to the idea of mono no aware, a fundamental aspect of Japanese poetry, sometimes translated as the "pathos of things" or the "ah-ness" of things. It is that bitter-sweet evanescense of last night's sunset that disappears even as you look at it, the colours changing moment by moment, until light fades into darkness, like a kiss that must end.
It is also perhaps why I love gardens. If I were to compare, I'd say I liked perennial gardens vs gardens filled with bedding plants of annuals. But even that would not be precise. I just love gardens that manage to embrace the changing seasons, gardens that celebrate the ephemeral, often exuberant blossom, and have room to contemplate the shattered petals that have fallen, the dying colours of autumn, the ripening fruit on the vine, the bare branches of winter.
For it is always with a pang of sadness that I enter a beautiful garden. I long to hold on to the moment. Perhaps that is why I take so many photographs. But I know the moment will not last. The flowers fade. Seed heads form and are carried away. And even in the stillness of winter under the snow, life is renewing itself under the ground.
Labels: mono no aware